We are a working farm and livery stables in picturesque Cullenagh, Kilmeadan (also, Cullinagh, Kilmeaden) on the banks of the River Dawn in County Waterford, Ireland.

Facilities include two American barns, a 40m X 60m floodlit arena, riverside and woodland farm trails, individual tack rooms, security gates and large turnout paddocks.

Located ten minutes from the sea and the stunning Copper Coast on the main Rosslare to Cork route, we are convenient for mountains and coastline, character pubs, restaurants, castles, historic houses and gardens as well as horse racing, music and theatre.

We provide self catering accommodation at The Thatch Cottage in the beautiful village of Annestown, which is situated along the Copper Coast. The cottage is nestled in the Anne Valley and it overlooks the sea and Annestown Beach. A network of cliffside paths stretches between the beach and the neighbouring villages. This stunning part of the Copper Coast is an artist's haven, and guests have full access to the art studio at Cullenagh.

For further information, please contact Evie by phone at 051 384121 or by email at cullenaghstables@gmail.com or through our Cullenagh Stables & Farm Facebook page.

Our postal address is Cullenagh Stables, Cullenagh House, Kilmeaden, County Waterford, X91 HT6X

Distance by Car :

Waterford - 10 minutes
Copper Coast - 10 minutes
Dungarvan - 30 minutes
Cork - 60 minutes
Rosslare - 50 minutes
Dublin - 90 minutes

Wednesday, August 16, 2017

Notes on Schooling

Sylvia Loch lectures worldwide on the history of classical horsemanship. She is the author of The Classical Rider, Dressage in Lightness, The Classical Seat and The Royal Horses of Europe. The following is an extra from a recent discussion with Sylvia about the art of schooling.

~ Too few riders are taught the correct use of the reins and how to handle them, but more important than ever - the correct use of the seat.  Once the horse is going forward correctly, the tension on the rein will lessens until it becomes the finest of all the aids.

Contact should be governed merely by the fingers tightening or releasing (for a second) rather than any obvious movement of the hand. I still see hands which draw back or separate in a huge percentage of riders, even those at advanced levels.  This leads me to ask you all, how many of your trainers explain that it is the seat and legs that puts the horse into the hand.  And do they show you how?  I never blame students when they do not appear to know this.  Unfortunately, it is generally the system which is at fault.  There is little respect for the horse's mouth and people are obsessed with getting their horse on the bit, long before they know how to achieve this!

People cannot believe how an engaged horse, ridden on a contact - with the rein straight - and not flopping - can still be as light as a feather on the hand. This takes proper schooling, but it is possible with all ~